Playing Celtic Irish Music On The Guitar
Few things bring a smile to the face like Celtic Irish music.
Whether it is a jig, reel, slip jig or a hornpipe, it is almost certain that toes will be tapping and bodies
swaying. While these songs were originally made for fiddle, whistle and pipes, you can learn to play them on
the guitar.
Celtic Irish or Scottish folk music have the distinctive beat and rhythm that is at
once primal and yet somehow almost spiritual. Maybe it is the Celtic soul coming out in the tunes. Playing these
tunes with other musicians is totally enjoyable and provides ample opportunity for improvisation and
ornamentation.
The easiest way to begin playing traditional Irish and Scottish music is to learn the
chords and rhythms. Once you get the hang of the reels, jigs, airs and hornpipes, you will be able to figure out
other songs with relative ease.
One thing that is different is the use of flatted notes, such as the 7ths.This can be
a bit confusing at first, because it is different than traditional western music. When the 7th is
flatted, it is called the Mixolydian mode.
For example: in the key of D (very popular, by the way), the notes would be
D,E,F#,G,A,B,C. The difference between a “normal” D scale and the Mixolydian Mode or scale is simply the one note:
C instead of C#.
There are other modes, but you really do not need to worry about them when beginning.
Try playing the traditional western D scale and compare it to the Mixolydian, you will hear the sound and this
gives a special flavor to the tune. It is a bit like a blues scale in some ways, including bent notes and sliding
notes.
Celtic Irish music makes extensive use of triplets,which add a lot of swing or bounce
to the melody. These are much easier on a fiddle than guitar, but, with some practice you will soon be learning to
hammer on and pick off like a pro!
Most flatpicking is done by using the down-up, down-up method. This works great for
most songs, but when a tune has extensive triplets you need to use a different method: down-down-up, down-down-up.
This requires a little re-wiring of the brain and hand, but it is really worth it. Not only will you be able to
play the traditional Celtic tunes, but it will enhance the rest of your playing as well.
Tony McManus is a good example of a very good Scots guitarist, you can find one of
his recordings here.
The Maker's Mark: the Dream Guitar Sessions
How to learn a Celtic tune on guitar
Unless you are especially clever, you will need some tablature or written music to
follow. A better method is to learn from a fiddler, but not everyone has that option. You can also figure it out
from recordings, which works great as well.
The first thing is to learn the melody so you can whistle, hum or sing it. This makes
all the difference and will greatly speed up the process and make it sound like music instead of notes.
Next, break the song up into phrases and learn them one at a time. You will see that
most tunes are made up of an A and B part, and sometimes a C part. Typically these all repeat once then move to the
next part, and return back to the A part.
It is much, much easier to learn if you can sing the melody and play the chords along
with a recording or a friend. Once you get the song in your head you can begin with the melody. Most of the tunes
are rather simple in essence, but do not be fooled by that!
Use a metronome and play it slower and slower until you think you cannot go any
slower. Then reverse the process and play it faster and faster until you crash. Go back a bit and repeat this
process until you can play it. If you do this over a period of time, you will never forget the fingering and
melody.
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